It is important to see how art is applied to religious or historical icons. The perspectives of artists tells us much about how these figures are viewed in and over time. Last week, I presented a painting of St. Jude by Sir Anthony van Dyck, a Flemish Baroque artist.
This week, I present a painting of the saint by Georges de La Tour (1593–1652), a painter who spent most of his working life in the Duchy of Lorraine, which became part of France the year before his death. He painted mostly religious scenes lit by candlelight, and after centuries of posthumous obscurity became one of the most highly regarded of French 17th century artists in the 20th century.
